Andy Rooney on Used Cars



Andy Rooney traces his used car from the point he traded it in to the driveway of it’s new owner.

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Bentley S1 Continental Park Ward Fixed-Head Coupé 1957

Bentley S1 Continental Park Ward Fixed-Head Coupé 1957

Bentley ranks amongst the famous makes in history. Founded by W.O.Bentley in 1919, his cars were most successful in racing, having won the 24 Hours of Le Mans no less than 5 times. The Great Depression and the fading support by its financier Woolf Barnato led to the end of the W.O. period in 1931, when the company was taken over by its rival Rolls-Royce and production moved to Derby. After World War II, the Rolls-Royce plant was moved from Derby to Crewe. Although in the process of industrialisation, Rolls-Royce and Bentley cars were made in the new "Standard Steel" version (car totally built in house including coachwork), the more luxurious "Coachbuilt" version was still available to special offer. For the "Coachbuilt" version, the manufacturer built the "rolling chassis" but then commissioned the coachwork to an authorised coachbuilder, allowing the customer to choose from a variety of different coachwork designs.
From 1950 until 1959, all Bentley cars featured the 6-cylinder engine legendary from the Thirties, gradually upgraded to 4.5 litre, and 4.9 litre after 1959. No other engine offers the silence, smoothness and total absence of any vibration like the Bentley 6-cylinder engine. The subsequent Bentley V8 engine after 1959 was clearly stronger, but not nearly as refined.
Only Bentley (not Rolls-Royce) cars were optionally available with the "Continental" option, an upgrade featuring a more sporty suspension, a higher rear axle ratio and a rev counter instrument, suitable for long distance high-speed cruising. This "Continental" option made these large and elegant Bentley cars surprisingly sporty and nimble to drive. On the coachwork side, one particular model is a milestone in the history of Postwar Bentley cars – the S1 Continental Park Ward Coupé. For reasons never quite understood, the S1 Continental Park Ward handles infinitely better than its contemporaries by H.J.Mulliner, James Young, etc, which must have to do with the way that the bodies are attached to the chassis. Another quality makes the S1 Continental Park Ward unique – its outstanding coachwork design which is elegant yet very sporty.
This particular car, the S1 Continental Park Ward Fixed-Head Coupé chassis N°BC38LCH is very special for a number of reasons. Firstly, it is one of only 33 cars built with left hand drive (of which only some 10 examples were made with the small rear quarter window). Secondly, it was totally restored by foremost expert P. & A. Wood from 2005 until 2009, including a number of special upgrades such as secondary fuel pump system, auxiliary fan system and fully integrated air conditioning. No other Fifties grand touring coupé car offer performances and comfort quite like this car.

Chassis : N°BC38LCH
Engine : N°BC37C
Engine Specification : 6-cylinder with 4887 cc
Equipment : Small rear quarter window, fully integrated air conditioning system

Posted by tautaudu02 on 2013-04-29 18:36:40

Tagged: , bentley , s1 , continental , park , ward , fixed , head , coupé , auto , moto , cars , coches , voitures , automobile , rétromobile , …

The Study of the Gothic Element of Double in Poe’s Selected Works

The Study of Doubles in Poe’s Works

General Background

Poe

An important and innovative re-interpreter of the Gothic in the literary world was Edgar Allan Poe (1809-1849) who asserted ‘that terror is not of Germany, but of the soul’. His stature as a major figure in world literature is primarily based on his highly acclaimed short stories, poems, and critical theories, which established an influential rationale for the short form in both poetry and fiction. Poe is also famous for his Gothic style of writing. Fisher affirms that: “Few would hazard a challenge to long-standing opinion that Poe was a master of the Gothic horror tale, although many might not as readily be aware that he did not invent Gothic fiction” (p.72). Indeed Poe turned the Gothic fiction of the eighteenth-century to the internal cries and desires of human being. Aside from a common theoretical basis, there is a psychological intensity that is characteristic of Poe’s writings, especially the tales of horror that comprise his best and best-known works.

Double

A significant element of Gothic genre is the theme of double. In Gothic (1996), Fred Botting writes that “at the end of nineteenth century familiar Gothic figures-the double and the vampire-reemerged in new shapes with a different intensity and anxious investments as objects of terror”(p.135). It seems so terrible when one looks at everywhere and sees his own image and likeness. The presence of the double, thus, could be interpreted as an explanation for the alienation of human being in the modern world. Botting expresses that “the loss of human identity and the alienation of self from both itself and the social bearings in which a sense of reality is secured are presented in the threatening shapes of increasingly dehumanized environments, mechanic doubles and violent, psychotic fragmentation” (p.157).

Doubles are seen in different forms and shapes in Gothic texts. The mostly used forms are doppelgangers, mirror images, shadows and even mandrakes. In most of Gothic fictions the theme of doubles and mirrors exist. Dealing with their doubles, characters come to know those aspects and facets of their personality which have been alien and unknown to them. Doubles appear in various forms; doppelganger, alter ego, shadow, twins, mirror images and even mandrakes. As Botting asserts, in Poe’s fiction: “Doubles and mirrors are used to splendid effects…” (p.120). However what seems essential to notice is that the meaning which the doubles convey is the same; they are used to show the concept of self-estrangement and self-destruction of the main characters to the readers. This lack of self-knowledge which in many cases leads to self-destruction is emphasized by both authors in their works like “William Wilson”, “The Tell-Tale Heart”, “The Fall of House of Ushers” by Poe. The writer’s use of the idea of ‘The Double’ implies that all people can be misled by appearances through their emotional tendencies, just as everyone can be reassured by knowledge through the operation of his/her rational functions. The term doppelganger which has been remarkably used by …